On February 19, 1925, the North Carolina House defeated the Poole anti-evolution resolution. The resolution, introduced by D. Scott Poole of Hoke County, proposed that it was harmful to the welfare of the citizens for “Darwinism or any other evolutionary hypotheses” to be taught in the schools.
In January 1924, Governor Cameron Morrison denounced two high school textbooks for their inclusion of evolution. Poole’s resolution sought to keep all such lessons out of the state’s classrooms. William Louis Poteat, a former biology professor, president of Wake Forest College and a devout Baptist, believed that evolution demonstrated the “divine method of creation.” He became one of the outspoken advocates for keeping it in the curriculum.
Although the House appeared to be quite divided on the issue, when it was put to a vote, the resolution was defeated by the comfortable margin of 67 to 46.
The evolution debate received national attention just a few months later during the Tennessee case that has come to be known as the Scopes “Monkey Trial.” The case was in response to a Tennessee law that was similar to the one that was defeated in North Carolina.
A great overview of the evolution debate in the 1920s in North Carolina from UNC Libraries.
State Supreme Court Justice William Joseph Gaston of New Bern penned the song’s patriotic lyrics in the 1830s, when North Carolina was lagging economically behind its neighbors and masses of people were moving away. A dedicated public servant and advocate for internal improvements, Gaston sought to defend North Carolina against accusations of being backward.
When court was in session in Raleigh, Gaston stayed at the home of Mrs. James F. Taylor. One day after a couple of women in the household returned from a concert by a group of visiting Swiss bellringers, they began to sing and play one of the concert tunes on the piano. Gaston became inspired. At his office on Hargett Street, he wrote several verses of the now-familiar song, adapting it to the melody he had just heard. A chorus of 50 young women first performed the song at the Whig state convention in Raleigh in October 1840.
R. Culver set Gaston’s poem to music in 1844, but the arrangement composed in 1926 by Mrs. E. E. Randolph in Raleigh is the version familiar to North Carolinians today.
For more on Gaston and the state song, check out the Old North State Fact Book from North Carolina Historical Publications.
On February 17, 1963, American basketball superstar Michael Jeffrey Jordan was born in Brooklyn, New York. Before his first birthday, Jordan’s parents moved to Wilmington, where he played three sports at Laney High School and was named to the McDonald’s All-American team.
As a UNC-Chapel Hill freshman, Jordan scored the winning basket in the 1982 NCAA title game. In 1984, he was named College Player of the Year and won the first of two Olympic gold medals (the other was in 1992) with the U.S. men’s basketball team. After his junior year at Carolina, Jordan entered the NBA draft and was picked by the Chicago Bulls.
His high-scoring, high-flying antics quickly made “Air Jordan” an international sports celebrity and marketing marvel. After leading the Bulls to three consecutive NBA championships, Jordan unexpectedly retired in 1993 to pursue a career in baseball. He rejoined the Bulls in 1995 and led them to three more NBA titles before retiring again in 1999. After a two-year hiatus, Jordan returned to basketball, playing with the Washington Wizards. He retired for the final time in 2003. Now the primary owner of the Charlotte Bobcats, Jordan is still widely regarded as the best basketball player of all time.
On February 16, 1924, Henry Bacon, Jr., architect and designer of the Lincoln Memorial in Washington, D.C., died.
Born in Illinois in 1866, Bacon moved with his family to Brunswick County in 1876 and then to Wilmington. He attended school in Boston and Wilmington and went on to study at the University of Illinois for a year before moving to Boston to join the architectural firm of Chamberlain and Whidden as a draftsman. He progressed quickly from there, winning awards and joining New York’s prestigious firm of McKim, Mead and White. He studied in Europe during various periods and eventually would partner with James Brite for a time.
Bacon won the commission for the Lincoln Memorial design in 1912 and oversaw its completion. During the next ten years he, somewhat ironically, also served as designer and architect of two of North Carolina’s most well-known Confederate monuments: Raleigh’s Monument to the Women of the Confederacy and Wilmington’s Confederate Monument, working alongside sculptor Francis Herman Packer on that project.
His own grave marker was created from drawings found in his desk following his death in 1924. He kept close connections to the Wilmington area throughout his life and is buried in the family plot in the city’s Oakdale Cemetery.
On February 15, 1776, Patriot forces under Colonel James Moore camped on Rockfish Creek in Cumberland County.
Nearby more than 1,500 Loyalist militia, most of them Scottish Highlanders, gathered under General Donald McDonald at what’s now Fayetteville to march to Wilmington. By fortifying the encampment at Rockfish Creek with over 1,000 men and five artillery pieces, Moore blocked the Loyalists’ most direct route to the coast, forcing them to utilize a narrow bridge at Moores Creek.
There, on February 27, the Loyalists were ambushed by about 1,000 Patriots, artillery and rifles, from Col. Richard Caswell’s and Col. Alexander Lillington’s forces. The Patriots were victorious, killing or wounding at least 50 men and capturing about 850 more.
The Battle of Moores Creek Bridge was a pivotal moment in North Carolina history. Without Loyalist forces to protect the colonial government, the royal system collapsed, allowing Patriot leaders the chance to establish a fledgling state government. The Patriot victory also denied Britain use of North Carolina’s ports, which were logistically significant. The battle at Moores Creek is often referred to as the “Lexington and Concord of the South.”
Initially a state park, the battlefield is now managed by the National Park Service.
On February 14, 1943, saxophonist Maceo Parker was born in Kinston. Perhaps best known for his work with James Brown, Parker brought funk to the soul music of the James Brown Band. For nearly 20 years, Brown’s call “Maceo, I want you to Blow!” summoned his unique sound.
Parker was exposed to music early. His father played at least two instruments, and both of his parents sang for their church. His brother was also musical, and the pair joined James Brown’s band together in 1964. He has gone on to collaborate with a host of artists including George Clinton, Prince, Ray Charles, James Taylor, the Dave Matthews Band and the Red Hot Chili Peppers.
Among Parker’s many accolades and awards are the 2003 Rhythm and Blues Foundation Pioneer Award, the 2012 Les Victoires du Jazz in Paris Lifetime Achievement Award and the Icon Award at the North Sea Jazz Festival in Rotterdam.
Parker tours internationally to this day. He is featured in the book African American Music Trails of Eastern North Carolina, published by the North Carolina Arts Council, and in 2016 he was recognized with a North Carolina Heritage Award.
On February 13, 1941, Piedmont Blues musician “Blind Boy Fuller” died in Durham. Fuller was famous for playing a steel-bodied National guitar that was a natural resonator before amplification. Along with Reverend Gary Davis, Fuller dominated the Bull City’s blues scene, attracting and influencing many musicians.
Born Fulton Allen in Wadesboro in 1907, Fuller learned guitar and country rag songs from older singers in Rockingham. In his late teens, he moved to Winston-Salem where he played on sidewalks for shift workers in tobacco factories. He became completely blind in 1928 and moved to Durham the next year.
In 1935, Fuller was taken to New York by white merchant J. B. Long for the first of many recording sessions with the American Recording Corporation. He released more than 130 songs on several labels in his five-year recording career. Many of his songs centered on the daily struggles of black tenant farmers and the experiences of those who left the South for the North.
Fuller’s repertoire ranged from ragtime to the blues, including “Rag, Mama, Rag,” “Truckin’ My Blues Away” and “I Want Some Of Your Pie.” Fuller often recorded with other musicians, including guitarists Floyd Council and Bull City Red, and harmonica player Sonny Terry.